"A Day in the Life", notes and description"A Day in the Life" is a song by the English rock group The Beatles, the final track on the group's 1967 album Sgt. Pepper's Lonely Hearts Club Band. Credited to Lennon/McCartney, the song comprises distinct segments written independently by John Lennon and Paul McCartney, with orchestral additions. While Lennon's lyrics were inspired by contemporary newspaper articles, McCartney's were reminiscent of his youth. The decisions to link sections of the song with orchestral crescendos and to end the song with a sustained piano chord were made only after the rest of the song had been recorded.
The supposed drug reference in the line "I'd love to turn you on" resulted in the song initially being banned from broadcast by the BBC. Since its original album release, "A Day in the Life" has been released as a B-side, and also on various compilation albums. It has been covered by other artists including Sting, Bobby Darin, Neil Young, Jeff Beck, The Bee Gees, Phish and since 2008, by McCartney in his live performances.
According to Lennon, the inspiration for the first two verses was the death of Tara Browne, the 21-year-old heir to the Guinness fortune and close friend of Lennon and McCartney, who had crashed his Lotus Elan on 18 December 1966 in Redcliffe Gardens, Earls Court. Lennon's verses were adapted from a report in the 17 January 1967 edition of the Daily Mail newspaper which reported the coroner's verdict into Browne's death.
"I didn't copy the accident. Tara didn't blow his mind out, but it was in my mind when I was writing that verse. The details of the accident in the song—not noticing traffic lights and a crowd forming at the scene—were similarly part of the fiction." George Martin however, believes that this verse (along with other passages from the song) is a drug reference and that while writing the lyrics, Lennon was imagining a stoned politician who had stopped at a set of traffic lights.
In Many Years from Now, McCartney said about the line "I'd love to turn you on", which concludes both verse sections: "This was the time of Tim Leary's 'Turn on, tune in, drop out' and we wrote, 'I'd love to turn you on.' John and I gave each other a knowing look: 'Uh-huh, it's a drug song. You know that, don't you?'
McCartney provided the middle section of the song, a short piano piece he had been working on independently, with lyrics about a commuter whose uneventful morning routine leads him to drift off into a dream. Lennon said: "I had the bulk of the song and the words, but he contributed this little lick floating around in his head that he couldn't use for anything." McCartney had written the piece as a wistful recollection of his younger years, which included riding the bus to school, smoking, and going to class.
The final verse was inspired by an article in the Daily Mail in January 1967 regarding a substantial number of potholes in Blackburn, a town in Lancashire. However, Lennon had a problem with the words of the final verse, not being able to think of how to connect "Now they know how many holes it takes to" and "the Albert Hall". His friend Terry Doran suggested that they would "fill" the Albert Hall.
The Beatles began recording the song, with a working title "In the Life of...", on 19 January 1967, in the innovative and creative studio atmosphere ushered in by the recording of "Strawberry Fields Forever" and "Penny Lane" over the preceding weeks. The two sections of the song are separated by a 24-bar bridge. At first, the Beatles were not sure how to fill this transition. Thus, at the conclusion of the recording session for the basic tracks, this section solely consisted of a simple repeated piano chord and the voice of assistant Mal Evans counting the bars. Evans's guide vocal was treated with gradually increasing amounts of echo.
The 24-bar bridge section ended with the sound of an alarm clock triggered by Evans. The original intent was to edit out the ringing alarm clock when the missing section was filled in; however it complemented McCartney's piece well; the first line of McCartney's song began "Woke up, fell out of bed", so the decision was made to keep the sound. Martin later said that editing it out would have been unfeasible in any case.
The basic track for the song was refined with remixing and additional parts added at recording sessions on 20 January and 3 February. Still, there was no solution for the missing 24-bar middle section of the song, when McCartney had the idea of bringing in a full orchestra to fill the gap. To allay concerns that classically-trained musicians would not be able to improvise the section, producer George Martin wrote a loose score for the section. It was an extended, atonal crescendo that encouraged the musicians to improvise within the defined framework.
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любопытности